Category: Travel

13 Dec

Sir Banister Fletcher’s Global History of Architecture, 21st Edition

The reviews are in for the recently released Sir Banister Fletcher’s Global History of Architecture, 21st Edition by Bloomsbury Press in partnership with the Royal Institute of British Architects (RIBA) and the University of London.

Pleased and proud that my documentation of Bruno Taut’s historic Kyu Hyuga Bettei in Atami, Japan was selected for inclusion in this monumental book released in 2019.

 

What the critics are saying:

“Book of the Century” – The American Institute of Architects

“Half the pleasure, as half the volume, of Banister Fletcher is its pictures. The thousands of photographs are, as always in Banister Fletcher, unimprovably fine.” – The Times Educational Supplement

“…the bible of architectural history… Banister Fletcher remains a potted history with remarkably pithy writing.” – Building Magazine

“The tome has been bought for 100 years by every architectural student who could possibly scrape together the shillings.” – Architectural Review

“A thundering classic … No serious fan of architecture should be without it” – The American Institute of Architects

“It will continue its usefulness beyond the years of study and become an additional aid to everyday practice.” – Times Higher Education Supplement

“It will remain one of the most thumbed tomes in Building Design’s office library” – Building Design

“It is such a remarkable book, containing so much detail and so skilfully illustrated, that it is a must for all architectural and surveying offices” – ASI Journal

“An easy-to-use reference book with all the world’s major architecture described, explained and, in many cases, fully illustrated.” – B & M Architecture & Design

 

For details on the 21st edition, view RIBA’s press release here.

 

 

Other links to explore if interested:

RIBA’s website
Bloomsbury Publishing
University of London

05 Nov

Road Trip XLV

Forty-five years after our first cross country road trip, my sister, Kate, and I headed out on our second trip. Three weeks and eight thousand miles later we returned home after seeing and photographing amazing vistas, natural wonders, and multiple locations of intrigue. Enjoy the ride through the plains, canyons, badlands, prairies, gypsum desert…indeed, a very large array, and more…

10 Nov

Shiguchi at The Gamble House

I first met Yoshihiro Takishita in 2010 when I visited his mountain-top minka in Kamakura. I was impressed with the commanding view of Sagami Bay and was immediately moved by his work. I was deeply honored when he asked that I document his Shiguchi exhibit at the Gamble House. I suspect it is most every architectural photographer’s dream to photograph this archetypical example of the Arts and Crafts movement…it was certainly mine, and it was only through an invisible thread that brought me there and made it possible.

I cannot imagine a more perfect setting for Takishita-san’s Shiguchi to be displayed and viewed than the Gamble House as it provided a monumental setting for his joinery artistry. I was charged with documenting the entire process of the exhibit. I witnessed and was moved by the total commitment of the entire Gamble House staff to this effort. I was impressed by the painstaking process that took place so that each of the forty Shiguchi look their best to allow for their story to be visually told. I believe the success of the exhibit was inherent in the relationship of the Shiguchi pieces shining in their placement in the ever-inspiring Gamble House. To capture the respective beauty of both components was my aim, so that all those who attended, as well as those unable to attend, would know just what a stunning triumph had occurred at 4 Westmoreland Place. I wish to thank all involved for their support to make this collaboration possible. The above montage video is an overview of my five days photographing the exhibit.

Notes from The Gamble House:

Since in the 1970s, Yoshihiro Takishita has successfully rescued dozens of Japanese farm houses, or minka, from the increasing threat of development, particularly in the mountains of Gifu Prefecture. By carefully disassembling the houses, timber by timber, and reassembling them in new locations, many of these historic houses have been able to enjoy a second life. Not all of the constituent parts have been able to be re-purposed in the new locations, however. Not wanting to discard any remnant examples of Shiguchi, Mr. Takishita carefully stored the structural “orphans” of unused timber joints. He soon realized that these objects could stand on their own, literally and figuratively, as individual works of art. Over time, Takishita rescued enough structural fragments that a coherent collection of remarkable aesthetic value emerged. Both art and craft, these examples of traditional joinery are now exhibited for the first time in America at The Gamble House, itself a masterpiece of architectural wood craft. Shiguchi joinery, though centuries old, survives as a precise and elegant tribute to a Japanese traditional of building once common throughout the land.

“Shiguchi: The Hidden Art of Japanese Joinery” is an exhibit of 40 examples of timber-frame joinery that formerly fastened massive farm-house posts, beams, rafters and ridges to make up Japanese minka, or farm house, construction. While the original makers’ identities are lost to history, curator Yoshihiro Takishita offers a fresh perspective on their craft, naming the works, if not the workers. In doing so, Takishita has envisioned a new art form, revealed by hidden craft. 

The Gamble House is a National Historic Landmark in Pasadena CA designed by architects Charles and Henry Greene in 1908. It is open for public touring Thursday through Sunday, noon to 3:00 pm.  Additional exhibition details, tour information, lecture and event dates are available on our website

There is a bilingual website for Shiguchi here.

 

For an alternate version with the Bach Cello Suites by Alain Meunier, please view:

 

28 Feb

Lithuania…finally!

I have spent a lifetime dreaming of visiting the homeland of my maternal grandparents, Lithuania. It was an incredible feeling to step foot on the soil and breathe the air…and take the country (and it’s varied and beautiful architecture) in. From Vinius to Anykščiai to Kaunas to Trakai and then to Vilnius again. Centuries old medieval architecture to Soviet era relics to cool contemporary…all were impressive in their own unique way.

A special and heartfelt thank you to my hosts Ruta, Vaiva, and Aida, I could not have done it without you.

08 Feb

West of Japan / East of Norway – Norwegian Embassy, Stockholm, Sweden

With grateful thanks to all involved at the Norwegian Embassy for their hard work and dedication to this exhibit, and thank you to Marco Capitanio, Luca Ferrario and Ole Rikard Høisæther. 

 

From the desk of Marco Capitanio…

WEST OF JAPAN/EAST OF NORWAY

The exhibition „West of Japan / East of Norway“ attempts a daring architectural comparison. It juxtaposes for the first time Knut Knutsen’s Norwegian Embassy in Stockholm and Bruno Taut’s Hyuga Villa in Atami, Japan. Knut Knutsen (Norwegian architect, 1903-1969) took inspiration from Japanese architecture and Frank Lloyd Wright – a connoisseur of Japan himself – for the design of his embassy building in Stockholm, realized between 1948 and 1952. We know this from his statements, documents and drawing references. Architectural historians have been emphasizing it for decades.
 
The Norwegian Embassy, brought back to its pristine condition after a careful renovation, comes to host photographs and drawings of Hyuga Villa, a likely source of inspiration to Knutsen, built in 1936. Thanks to a new photographic interpretation of the embassy building, the exhibit clarifies how a certain “Japanness” seeped into Knutsen’s design, presumably borrowing from Hyuga Villa, from Taut’s books on Japanese architecture, and from Katsura Imperial Villa in Kyoto (17th century).
 
Hyuga Villa and the Norwegian Embassy embody a personal reflection on Japanese architecture, mediated through European sensibilities. Bruno Taut (German architect, 1880-1938) fled from the growing Nazi movement in the mid 1930s in central Europe. His stay in Japan culminated in Hyuga Villa (Kyū Hyūga Bettei). Taut’s project was first presented in the international French architectural magazine “L’architecture d’aujourdhui” in 1937, with a text written by the architect himself, paired with plans and photographs. The project, a crosscultural breeding between European and local architectural language, was rediscovered in its full width thanks to exhibitions and symposia in 2016-17.
 
Knut Knutsen owned several books on Japanese architecture. One was “Japanische Architekur”, 1936, by Tetsuro Yoshida (Taut’s friend and collaborator), still in the family’s possession. It is more than likely that he also knew (or possessed) Taut’s books on the same subject. Knutsen was commissioned, together with the Norwegian architect Arne Korsmo, to design the Norwegian pavilion for the World Exhibition in Paris in 1937. This was one of the reasons why he was a subscriber to “L’architecture d’aujourdhui” in the years before and after the exhibition. The presentation of Hyuga Villa in the 1937 magazine must have been of special importance to Knutsen, based on his general interest on Japanese-European relationships.
 
Taut was able to spend three years in the East, before settling in Istanbul, at the crossroad of oriental and western cultures. It is now our intention to show how his legacy travelled to the North thanks to Knutsen, as his readings must have brought inspiration all the way to the Norwegian Embassy in Stockholm. Or so it seems.
 
Curated by Marco Capitanio and Ole Rikard Høisæther.
 
Photographs of the Norwegian Embassy by Luca Ferrario, photographs of Hyuga Villa by Dave Clough.